Foreshadowing
Throughout all stages of writing development, foreshadowing gives the reader a sense of participation in the story, through anticipation.
One
of the best tips for writing a story, whether short or book length, is
to introduce certain plot action early in a composition. That early
action, or the action sequences, should quietly suggest what’s to come
later. This applies across the board to multi-genre writing.
These hints and innocent occurrences tie all the way down to the ending, through the great writing and grammar, into the story climax and denouement.
Avid
readers, especially, are wise to plot action. They can spot lead-in
such as clue and hints without having to go back and read the sequence
again. They can sense it in the set up. They want it!
Subconsciously,
a few readers may not realize what has prepped them. However, on a
subconscious level, tight pre-planning keeps them wrapped up in the
story.
Whether on a subconscious level or consciously, you
want your readers to carry a feeling of anticipation as they read
through the stages of writing development that you have so adeptly
woven. The reader won’t be aware of writing rules and writing
procedures. They will sense your clues and it will keep them turning pages.
Some great tips for writing a story can be found in the article which follows.
Foreshadowing
The way I write is to finish a chapter, that one scene, with all that I can allow myself to put into it...for the moment. As I write the next succeeding chapters, I may think of something new to include in the story that needs to be introduced earlier. That's foreshadowing. So I go back and add a tease in a preceding chapter or other chapters before that one.
I continue this process throughout the stages of writing development. No chapter is really finished till the book is finally polished. This applies to multi-genre writing, fiction of nonfiction.
- In
writing my one of my mysteries, I thought my story was finished, but
realized one bit of action that should have been foreshadowed earlier.
Then, it was a matter of choosing which chapter to go back to, the most
likely place, to insert the hint of what was to come.
Those hints must be so innocent that they do not tell the reader exactly what’s ahead. Yet, when the reader learns what happens later in the story, they remember the hint of it mentioned earlier and have an Aha! experience.
For instance, in my mystery, River Bones, when I planned my notes, I wanted to give a credible reason for my character to accept two pit bull puppies. Yet, I have her so busy she doesn’t have time for dogs that require that much care. It’s unlikely she would take on responsibility like that. But the plot required that she take these dogs.
- I checked my writing procedures and a few writing rules to assure I would do the right thing.
Feeling confident, I went back to an earlier chapter, where the protagonist is talking to her little sister’s headstone at her gravesite, sort of updating her sister about her life. My character hasn’t been to her sister’s grave in years, so she’s real emotional, with jumbled thoughts, and she’s just tossing out important events.
- In
the dialog, I added that she said, "By the way, Mandy died. But you
know that, don’t you?" As if her sister in heaven watches over her and
already knew.
The reader will know that because this is a fiction novel, soon enough, they will learn who Mandy is. Since this is a suspenseful mystery, the mention of a death early in the story is just another incident to tweak the reader’s interest and keep them reading. When they get to the part where the protagonist tells a friend she once had a Yorkshire terrier named Mandy, that she loved dearly, the reader then understands the emotions and motivation that make the woman innocently accept the two pit bull puppies.
- I say
innocently accept because her doing so out of love for the dogs is a
pivotal point in the story that should not feel contrived, especially
when the plot action requires the dogs be with her and no one else.
To make the story credible, I had to foreshadow a reason why the character would so readily accept the pups. Without having inserted that one line of dialog into the scene at the gravesite, the fact that the protagonist later readily accepts the dogs becomes nothing more than a crutch to help solve a crime.
Foreshadowing gives the reader a sense of participation in the story, through anticipation, and is necessary to make the plot action of any story cohesive.
